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Raven Crime Reads

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suicide

Blog Tour- Sarah Ward- A Patient Fury

When Detective Constable Connie Childs is dragged from her bed to the fire-wrecked property on Cross Farm Lane she knows as she steps from the car that this house contains death.
Three bodies discovered – a family obliterated – their deaths all seem to point to one conclusion: One mother, one murderer.

But D.C. Childs, determined as ever to discover the truth behind the tragedy, realises it is the fourth body – the one they cannot find – that holds the key to the mystery. What Connie Childs fails to spot is that her determination to unmask the real murderer might cost her more than her health – this time she could lose the thing she cares about most: her career.

I must confess that I have experienced a slight sense of disenchantment with some writers of Derbyshire set crime of late, but Sarah Ward has proved to be as refreshing as a window suddenly opening in an airless room. Having previously reviewed, and enjoyed, In Bitter Chill and A Deadly Thaw it is no exaggeration to say that Ward is honing her writing more and more with each book, and has just produced, in my opinion, the best of the series to date in A Patient Fury

The first aspect of this book that I really enjoyed was the undercurrent of darkness that undercuts the whole book. The central plot is exceedingly grim, with the crime of murder/suicide of a family laying at the heart of this twisted morality tale. The unconscionable act of a child’s murder strikes the investigation team particularly hard, and the initial suspicion of the mother being guilty of this crime sits uneasily with the fictional protagonists, and us as readers too. I thought the plotting was superb as the book is permeated by small twists, and teasing reveals, the instances of which are perfectly placed in terms of narrative pace, and to increase the suspense. As the net is cast wider to include other relations of this family, Ward plays with our perceptions of each protagonist, and invites us to engage in our own crime solving, as the police team grapple with this particularly tricky investigation. I thought the whole premise of the crime, and the conclusion to it, was entirely realistic, and I enjoyed the way that it unashamedly approached the very real issues of child abandonment, familial abuse, and brought to the fore the varying degrees of emotional intelligence that the members of this family exhibited. With all the elements of a soap opera, but infinitely better written, it certainly kept this reader fully engaged.

Obviously being three books into a series, there is an added enjoyment at my now familiarity with the two main police protagonists of D.I. Francis Sadler, and D.C. Connie Childs, and the way that Ward pushes their personal stories and tribulations onwards. In particular, Connie, still recovering from events in the previous books, is put through the wringer further in terms of her professional behaviour in relation to this case, and her own insecurities as a single woman. I like her character very much, admiring both her tenacity, impetuousness and those small moments of fragility that suddenly appear. Likewise, Sadler is not immune to moments of self doubt and sometimes blindness, both in his treatment of Connie, and his involvement with a face from the past. Ward balances this growth in their characters in parallel to the main plot with an assured touch, leading the story off in different directions, but never to the detriment of the reader’s involvement in the central investigation.

Ward draws heavily on the atmosphere and surrounds of her Derbyshire setting, bringing the area alive to the reader’s imagination, and using the unique landscape of the area as a rich texture to the human drama that plays out. Coupled with the strong, perfectly placed plotting, the examination of human frailty, and her innate talent for realistic characterisation, I found A Patient Fury a hugely satisfying read, and would urge you to discover this series for yourselves. Highly recommended.

(With thanks to Faber for the ARC)

Catch up with the blog tour at these excellent sites:

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Blog Tour- Doug Johnstone- The Jump

 

Welcome to the next stop on the Doug Johnstone blog tour, coinciding with the release of his latest book The Jump. Raven is quite the fan of Mr J.  and have previously had the pleasure of reviewing both Gone Again and The Dead Beat , so what did The Jump hold in store…

The Jump, immediately draws us into the world of Ellie, a middle-aged woman struggling to come to terms with the seemingly inexplicable suicide of her teenage son, Logan, and the fractured relationship this has caused within her marriage to Ben. Living in the shadow of the Forth Bridge, where Logan ended his life, and succeeding in talking down another suicidal teenager, Sam, Ellie finds herself with a second chance in helping Sam, and gaining some kind of redemption from the sadness that defines her life. However, in becoming so closely involved with him, and his younger sister, Libby, Ellie becomes enmeshed in a family that is filled with secrets, far darker and more dangerous than she can possibly imagine…

When people decry genre fiction as somehow not being as worthy or the compare of ‘literary fiction’,  I have no hesitation in drawing their attention to books such as this. The Jump possesses an emotional intensity and sensitivity that is rarely encountered in any genre, harnessing emotional, and by their very nature, contentious issues that many writers in the ‘literary’ field would struggle to address in such an affecting way as Johnstone achieves. Obviously, the book is very much centred on the theme of suicide, both the causes of, and the aftermath for,  those left behind by this devastating act, and in the character of Ellie, Johnstone personifies all the linked emotions, doubts and blame that those left behind have to process. I loved the marked difference that Ellie and her husband exhibit in their reactions to the loss of their son, and the way that they too are faced with a leap of faith to restore their relationship to what it once was. Also with the interaction between Ellie and troubled teenager Sam, Johnstone blurs the lines between Ellie’s response to him as a mother, and a strange sense of sensuality, not sexuality, that seems to permeate their relationship. As we discover more about Sam, and his family (no spoilers from me), Ellie seems to undergo a marked change, and discovers a real inner core of strength that has been suppressed by her grief, and her journey back to her former resilience is moving throughout. With so much of the weight of the plot and the emotional issues therein on her shoulders, there was always a chance that Johnstone may have strayed down the route of mawkish sentimentality. He doesn’t, and must be applauded for his very sensitive, and most importantly, utterly real characterisation that Ellie embodies. As the plot unfolds into a very dark tale indeed, this sense of brutal reality persists, and is both shocking and redemptive in equal measure.

Another facet of the book that I enjoyed greatly was the absolute attention to sense of place, that Johnstone consistently shows in the book. With the incredibly visual depiction of this small riverside community, dwarfed by the architectural scale of the bridge itself, and the threatening power of this mass of water, Johnstone also draws a contrast of the smallness of our lives in the face of nature. His description of the life of the river and its environs, and man’s attempts to harness it, raises some interesting questions on our place within the natural world, but equally how the power of nature can provide succour in times of emotional uncertainty. I thought the description of Ellie’s wild swimming, where she sheds her land-bound skin, almost like a folkloric Selkie, to calm her restless spirit, was incredibly effective, and how this physical and, at times, perilous act brought her a closer connection with her son. It was beautifully done, and further ingrained in the reader’s sensibility the inescapable link that the water holds for Ellie in all spheres of her life.

You know how you sometimes encounter a book that just swirls around your consciousness in the wake of its reading, and pops back into your head at odd moments- well, this is most definitely one of those. The Jump is one of the most emotive and intense books it’s been my pleasure to read, and despite the weighty issues it explores, and the inherent sadness within its pages, ultimately one of the most satisfying. A brave, yet sometimes difficult, subject wonderfully handled. Prepare to be moved.

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