Raven’s Yearly Round Up and Top 10 Crime Reads Of The Year 2018

And so another year of superb reading has ended, throwing all bloggers into a state of rumination, indecision and mild despair, as we seek to narrow our reads down to our particular favourites. Although, for various reasons I won’t bore you with, I had a slightly lower reading count this year, I feel I have unearthed some real beauties, and delighted that my general plan to ignore the most overhyped books of the year worked a treat for me! I only read two of these (for work) and was totally gratified that my new rule held true- if it’s hyped it’s probably a turkey! Joking aside, I genuinely have struggled to narrow my reading to a definitive list, so I’m going to cheat slightly and round up a few of those that just missed the final ten, as they are completely worth your close attention, before revealing the final line-up…

I already have a substantial list of books coming this year that have caught my attention, both crime and fiction, so I may mix it up a bit and do some fiction reviews too, as I love both genres. I’m also going to pull back a bit on participating in blog tours, to allow me a little breathing space, and better time management for reading and reviewing. My reading list has also been significantly increased due to my inclusion as a judge for The Petrona Award for the Best Scandinavian Crime Novel of the Year, as a replacement for the most excellent Barry Forshaw. It’s all very exciting and looking forward to discussing and comparing notes with Sarah Ward, Kat Hall and Karen Meek on a not insubstantial list- there’s been some great reads so far, but my lips are sealed…

So my honourable mentions go to these that only missed the cut by a hair’s breadth (click on the image for the review). From Barbados to Brazil, from Denmark and the USA to Belgium and France, all of these are brilliantly character driven, atmospheric, socially perceptive or just damned thrilling reads, that were close, so close, to my favourites of the year. If you missed them, add them to your New Year reading lists, and you won’t be disappointed…

   

So, eyes down and here we go for the Top 10 of the Year- click on the images for the full reviews…

10.

“It was feisty, fresh, wonderfully sordid and a sublime blast of noir to welcome in the new year.” 

  9.

“Without resorting to soapbox declarations on the state of Britain, Shaw holds a mirror up to the conflicting sides of the immigration issue, whilst keeping the book solidly on track as a crime thriller. Consequently, Salt Lane is never less than a wonderfully multi-layered contemporary thriller, replete with the highest calibre characterisation, and a looming feel of unease.”

8.

“Caleb’s character works well on several levels, due to the authenticity that Viskic brings to him and his voice. Here is a man that recognises his own weaknesses, and by extension the weaknesses of others, and carries with him a real sense of emotional intelligence, despite the constraints that his aural impairment places on him.”

7.

Grimwood handles all aspects of this book with a deft touch from setting, to characterisation, to pace, to the plot itself, and if you love a twisty, cerebral Cold War thriller as much as I do, I would definitely recommend that you seek out Nightfall Berlin. Duplicitous spies, and conniving Russians seems oddly prescient at the moment.”

6.

“It is so gratifying to reach the third book in a series and for it to feel as fresh and vibrant as the first two. Partly, I would put this down to the developing working relationship, and growing friendship of our chalk and cheese partnership of Sam and Surrender-not, and the sheer level of engagement Mukherjee creates with the reader in how he presents the social and political unrest of this turbulent period of Indian history.

5.

“The sultry, suffocating feel of Mississippi drips from every page, and the laconic cadence of the Deep South, resonates in your mind, in the stripped down, bare bones dialogue, that says as much in the gaps that it leaves, as the spaces it fills. The book oozes atmosphere and tension, and as Smith weaves his tale, I would defy you not to surrender to this dark,  brutal, but utterly beautiful story with its glimmers of redemption, and the power of human connection.”

4.

“I think it’s safe to say that a significant number of people that read, aside from the pure enjoyment of reading, do so to provide themselves with an enhanced comprehension of the world around them, and to encounter and experience people, places and cultural differences, and this is what Miller achieves here. American By Day is smarter than your average thriller, but containing all the essential components of good crime fiction that keep us reading and reading.

3.

“Sins As Scarlet is not only compelling as a thriller should be, but has layers of scrutiny and observation on the themes of race, gender roles, social division, migration and more, which makes it punchy and thought provoking, and at times exceptionally moving.

1.

Yes, I know you’re thinking where has number 2 gone?

Well, all year I was convinced that a certain book would be my top read of the year until November when I read a certain book by Lou Berney called November Road, which was completely inseparable from Tim Baker’s City Without Stars, which deservedly held the number one spot since January! So I have two favourite books of the year and here’s why… 

City Without Stars is an intense, emotive and completely absorbing read, suffused with a violent energy, and with an unrelenting pace to its narrative. It heightens the reader’s senses and imagination throughout, completely enveloping the reader in this corrupt and violent society, with instances of intense human frailty and moments of strength, underpinned by precise description, and flurries of dark humour. I thought it was absolutely marvellous.

Regular readers of my blog will know that I appreciate my crime reading is always influenced more by those books that span the genres of crime and contemporary fiction, as I find the more linear, and therefore utterly predictable crime books, less enriching as a reader. November Road held me in it’s thrall from the outset, with its clarity of prose, and perfect characterisation, digging down deep into the nature of human relationships forged in troubled circumstances. This is unquestionably one of those books that will haunt me for some time to come.  

So there we have it. Another year packed full of brilliant books, so thanks as always to my regular followers of this blog and on Twitter, to the publishers for the advance reading copies, to Netgalley for the same, to the wonderful bookshops across the land, and to my fellow bloggers who have directed me to many more amazing reads over the course of the year. A big Happy New Year to you all, and wishing you all another splendid year of reading delights. 

 

A Quick Round Up-Sara Flannery Murphy- The Possessions/ Mikel Santiago- Last Night At Tremore Beach/ Nicolas Obregon- Blue Light Yokohama

4133aZlueGL__SX317_BO1,204,203,200_For five years Edie has worked for the Elysian Society, a secretive organisation that provides a very specialised service: its clients come to reconnect with their dead loved ones by channelling them through living ‘Bodies’. Edie is one such Body, perhaps the best in the team, renowned for her professionalism and discretion. Everything changes when Patrick, a distraught husband, comes to look for traces of his drowned wife in Edie. The more time that Edie spends as the glamorous, enigmatic Sylvia, the closer she comes to falling in love with Patrick and the more mysterious the circumstances around Sylvia’s death appear. As Edie falls under Sylvia’s spell, she must discover not only the couple’s darkest secrets, but also her own long-buried memories and desires — before it’s too late…

Billed as a thriller, a ghost story and as a tale of sexual obsession, The Possessions was one of the strangest reading experiences I have encountered for some time. With comparisons to the work of such estimable authors as Margaret Atwood, Kazuo Ishiguro and Daphne Du Maurier, Sara Flannery Murphy encloses the reader in a world of grief, guilt, love and obsession where irreality, spirituality and human emotions are inextricably entwined…

Curiously I am still unsure as to how much I really enjoyed this book, despite being initially enraptured at its highly original approach to the bridging of the gap between the living and dead. Equally, at first I was held in the thrall of the author’s emotive and completely accurate exploration and characterisation of the human response to personal loss and the assimilation of grief. She explored well the feelings of guilt and emotional stress that the recently bereaved experience, and the need for us to hold on to the one we have lost on some level to eventually move on to emotional closure. Her depiction and description of these differing but highly intense feelings of grief could not be faulted. By using Eurydice (whose name conjures up images of mythical strangeness) an isolated and emotionally closed off individual to act as a conduit from living to dead was expertly handled from the beginning, but as her strange relationship with the recently bereaved Patrick comes to the forefront, I started to find myself doubting her credibility. There was an escalating amount of repetition as the book progressed, with the author re-treading themes and images that started to irk me as the book progressed, and I began to care less and less about Eurydice’s increasing involvement with the spirit of Patrick’s dead wife. As a very obvious plot reveal came to life, I began to falter, and despite reading to the end, I felt strangely unsatisfied by what at first had held my interest entirely, and undoing my initial general crowing about this weirdly good book I was reading. One to make your own minds up about.

(With thanks to Scribe for the ARC)

TREWhen Peter Harper, a gifted musician whose career and personal life are in trouble, comes to northwest Ireland and rents a remote cottage on beautiful, windswept Tremore Beach, he thinks he has found a refuge, a tranquil place in a time of crisis. His only neighbours for miles around are a retired American couple, Leo and Marie Kogan, who sense his difficulties and take him under their wing. But there’s something strange about the pair that he can’t quite figure out. One night during one of the dramatic storms that pummel the coast, Peter is struck by lightning. Though he survives, he begins to experience a series of terrifying, lucid and bloody nightmares that frame him, the Kogans and his visiting children in mortal danger. The Harper family legend of second sight suddenly takes on a sinister twist. What if his horrifying visions came true, could tonight be his last…?

With one reviewer billing The Last Night At Tremore Beach as a cross between Don’t Look Now and Straw Dogs, I can only concur thus leaving me only a little to say about this one. I found it a slightly unbalanced affair, although I was intrigued by the back story of Peter’s coast dwelling neighbours, and the secrets in their shady past. With shades of Dean Koontz and Stephen King in the portrayal of Peter’s supernatural gift, I felt that this was to some extent, a bit superfluous to the plot, as a more linear depiction of his uncovering, and being threatened by, his neighbour’s former lives could have been portrayed without this. It felt a little padded. Peter’s character left no real impact on me, and found him generally a bit woolly around the edges. However, on a more positive note I did enjoy Santiago’s attention to the geography of this barren Irish coastline, and how he built tension through the secluded position of this location, and the natural elements that assailed its shores. A mixed bag.

(With thanks to Simon and Schuster for the ARC)

BLInspector Kosuke Iwata, newly transferred to Tokyo’s homicide department, is assigned a new partner and a secondhand case. Blunt, hard as nails and shunned by her colleagues, Assistant Inspector Noriko Sakai is a partner Iwata decides it would be unwise to cross. A case that’s complicated – a family of four murdered in their own home by a killer who then ate ice cream, surfed the web and painted a hideous black sun on the bedroom ceiling before he left in broad daylight. A case that so haunted the original investigator that he threw himself off the city’s famous Rainbow Bridge. Carrying his own secret torment, Iwata is no stranger to pain. He senses the trauma behind the killer’s brutal actions. Yet his progress is thwarted in the unlikeliest of places. Fearing corruption among his fellow officers, tracking a killer he’s sure is only just beginning and trying to put his own shattered life back together, Iwata knows time is running out before he’s taken off the case or there are more killings . . .

So saving the best until last, I was incredibly impressed with Blue Light Yokohama based on the real life, and still unsolved, slaying of a family in Japan, and the suicide of its lead investigator. Obregon has beautifully manipulated and used the details of this original case to construct a real slow burning thriller that kept me gripped throughout. Aside from referencing a real case which is one of my favourite tropes in crime fiction, there is a consistency of atmospheric building of tension, punctuated by moments of extreme stress and violence that demonstrates what a good writer Obregon is. His characters, particularly Iwata and Sakai, are completely believable, and undergo real trials by fire throughout, with their reactions and actions also entirely plausible. The story of female officer Sakai is heartrendingly honest and how her story plays out moved me greatly.

Although the book does not contain the level of attention to Japanese culture and social mores as that of an authentically Japanese author, the strength and gradual build up of an excellent plot cancelled out this slight disappointment. I delighted in the red herrings and false alleyways that Obregon navigates us through, and there were genuine moments of utter surprise and shock throughout. I felt emotionally invested in both the story and the personal travails of Obregon’s protagonists, and knowing that this book was so firmly grounded in reality further added to my enjoyment. When I finished this book I tweeted that I needed to take a breath. I guarantee you will too.  Highly recommended.

(With thanks to Penguin/Michael Joseph for the ARC)