One wet and misty weekend in October, the Niemann family find a stranger in their garden. He is armed and tries to force his way into the house, but disappears as soon as the police are alerted. That night he’s back with an impossible ultimatum . . .
Freiburg detective Louise Boni and her colleagues are put under enormous pressure. Traces of evidence lead her to a no-man’s-land, and to a ruthless criminal who brings with him the trauma of conflict in the Balkans…
And so to the third of Oliver Bottini’s Black Forest Investigation series, The Dance of Death, which sees stalwart investigator Louise Boni, drawn into a case of retribution precipitated by the turbulent history of the Balkan states…
Whilst confessing to the fact that I did find the first of the series, Zen and the Art of Murder a tad ponderous for my tastes, and having read and enjoyed the second A Summer of Murder, I have come to appreciate the more meandering and slow moving pace of Bottini’s writing. Veering very much more towards literary fiction than crime thriller per se, I found myself adjusting to the pace and style of it the further into the book I read. This more measured feel to Bottini’s prose does rather dilute the feeling of this being a crime thriller, but interestingly does give a platform for the author to really get beneath the skin of his characters, and to thoroughly interrogate the actions of the main antagonist, Antun Loncar, threatening retribution on one man’s family for the perceived sins of the past. We become as intimately involved with the motivations and history of this perpetrator as the police investigation team, and as his turbulent, unsettled and ultimately tragic story is slowly revealed, Bottini poses some interesting questions as to the balance between justice, revenge and compassion. As a reader it is good to feel conflicted about a character, where the boundaries of black and white merge into a mysterious grey, and this was an incredibly interesting facet of the book as a whole.
Talking of conflicted, police investigator Louise Boni, is a mass of contradictions, being a quixotic, emotionally challenged and a sometimes slightly unfathomable protagonist. I still can’t quite decide if I like her or not, as her compassion and clear-sightedness, is so often blurred by her own self absorption, with a messy and unsettled private life, and her recovery as an alcoholic. At times, more often in her professional life, she shows a huge clarity of thought and sense of action, underscored by compassion and determination, but all too often in her private life be it due to drink or relationships there’s an overarching feeling of indecision and naval gazing that makes you want to grab her by the shoulders, and give her a good shake. She proves to be a consistently complicated character, sometimes overwhelmed by her own feelings of guilt in relation to events of the past, and I still don’t know quite what to make of her.
The Dance of Death is not an easy read as there is a huge weight of historical factual detail, that although entirely necessary to the plot, does slow the pace of the book considerably, but it is difficult to see how this information could be imparted to the reader in any other way, tracing the history of war and resettlement between the Balkan states and Germany post Second World War. Although at times somewhat dense, and a little overwhelming, I did find the historical aspect fascinating, looking at the history of conflict and resettlement in the Balkans, from a new and interesting angle- special mention to translator Jamie Bulloch for the singular challenge this presented. Overall, I actually enjoyed the final part of the book more, as Boni physically retraces Loncar’s past, and takes her own journey through the Balkans, and although it did feel rather truncated in comparison to what had proceeded it, this section of the book had a real vividness and verve as Boni encounters the strange environs of Loncar’s home state. This is also quite possibly a journey for Boni that will take her life in an entirely new direction, so will be interested to see where Bottini takes her, and us, as readers…
(With thanks to MacLehose Press for the ARC)
Pre-order a copy of The Dance of Death here
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