Jorn Lier Horst/ Thomas Enger- Death Deserved #BlogTour

Oslo, 2018. Former long-distance runner Sonja Nordstrøm never shows at the launch of her controversial autobiography, Always Number One. When celebrity blogger Emma Ramm visits Nordstrøm’s home later that day, she finds the door unlocked and signs of a struggle inside. A bib with the number ‘one’ has been pinned to the TV. Police officer Alexander Blix is appointed to head up the missing-persons investigation, but he still bears the emotional scars of a hostage situation nineteen years earlier, when he killed the father of a five-year-old girl. Traces of Nordstrøm soon show up at different locations, but the appearance of the clues appear to be carefully calculated evidence of a bigger picture that he’s just not seeing. Blix and Ramm soon join forces, determined to find and stop a merciless killer with a flare for the dramatic, and thirst for attention. Trouble is, he’s just got his first taste of it…

In a stroke of genius, two of the most recognisable and talented Norwegian crime writers, Thomas Enger and Jorn Lier Horst have joined forces to produce Death Deserved, and what a collaboration it is.  Centring on a series of murders targeting well known personalities, the story ( the first of a series) sees a mirroring of the writer’s own specialities in their crime fiction. Jorn Lier Horst is an ex-policeman, author of the hugely successful William Wisting series so naturally the joint main protagonist is a detective, Alexander Blix. Equally, Thomas Enger known for the compelling series featuring a journalist, Henning Juul, brings his knowledge and familiarity with the world of media to Blix’s co-protagonist journalist Emma Ramm. With both writers having such an accomplished pedigree in crime fiction writing, the joining up of their individual talents is exceedingly effective, and consequently what they have produced is an extremely compelling, clever and fascinating thriller. Having recently read both Enger’s Inborn and Horst’s The Cabin, I was interested to see how each writer’s individual style was so evident in this collaboration, being highly reflective of both their talents in creating credible and engaging characters, setting themselves apart from the normally slightly meandering tendency of Scandinavian crime fiction, and injecting a real sense of pace and excitement into the narrative and development of the plot.

Haunted by a shooting incident in the line of duty, and having a somewhat rootless and static career, Blix exhibits traits that we love in our police protagonists. He seems to exist under somewhat of a black cloud, with an estranged wife and a daughter he is currently viewing through the media as she takes part in the popular Worthy Winner show, the Norwegian equivalent of Big Brother. Slightly morose, but intuitive and imbued with a sense of morality and determinedness, Blix is an instantly empathetic and likeable character. As the investigation continues and time becomes of the essence for some kind of breakthrough, his path crosses once again with journalist Emma Ramm with whom, unbeknownst to her, he shares a personal history. As he begins to feed her information pertinent to the investigation, thus begins a flowering of an effective and, at times, perilous professional connection, which becomes absolutely crucial in the pursuit of a seemingly untraceable and ruthless killer.

I particularly like the character of Emma Ramm who possesses a confidence and doggedness as a journalist that puts some of her male peers to shame. Her quick intelligence and intuition are stretched to the max in this troubling case, but is exactly these qualities that Blix comes to rely on strongly as their interactions lead to significant turning points tracking the perpetrator and even more so as certain things develop in their hunt. No spoilers here. What I also like is the way that her natural confidence is underscored by a certain vulnerability below the surface, due to a condition which any young woman would find difficulty in coming to terms with. This adds a real emotional depth to her, and compounded by her growing realisation of the important part that Blix had played in her life, leaves great possibilities in developing her, and by extension his, characters even further.

Having referenced earlier the tendency for rather drawn out plotlines in some Scandinavian crime fiction, I very much felt the pace and energy of this one as being more similar to some of the best of the American crime writers. With a perfectly weighted balance of hide and reveal, I found the plot development and truncated chapters made this a book which was difficult to put aside, as everything tempted you to keep on reading. With the increasing body count, some withering observations on the cult of celebrity, some devilish twists, and a couple of satisfyingly surprising red herrings along the way, I was caught on the back foot more than once. What a great ending too. As a crime reader I could ask for nothing more…

Definitely one to add to your wish-lists and guaranteed to keep you reading long after the big light needs to be turned off! Highly recommended.

________________________________________________________________________

(With thanks to Orenda Books for the ARC)

Catch up with the blog tour at these excellent sites: 

Peter May- The Man With No Face

Jaded Edinburgh journalist Neil Bannerman is sent to Brussels, intent on digging up dirt. Yet it is danger he discovers, when two British men are found murdered. One victim is a journalist, the other a Cabinet Minister: the double-assassination witnessed by the former’s autistic daughter. This girl recalls every detail about her father’s killer – except for one. With the city rocked by the tragedy, Bannerman is compelled to follow his instincts. He is now fighting to expose a murderous conspiracy, protect a helpless child, and unmask a remorseless killer…

Originally published in 1981 as Hidden Faces, and with a little polish here and there, but remaining by and large faithful to the original text, has reissued it for a new generation of readers as The Man With No Face. Written in the 1970s when May himself was a journalist reporting on the upheaval and consternation of Britain aligning itself with the EU, (oh happy days in the light of the current political debacle) the book is based on real life events, amid the corridors of power in Brussels…

Rich with political intrigue, as a slippery politician and a scheming journalist meet their respective murderous ends, I was fascinated by how little politics and political power changes over the course of decades, and responds significantly little to shifts in society. May conveys this world of corruption and power perfectly throughout as jaded, but tenacious Neil Bannerman starts to dig deeper into the outwardly appearing case of murder-suicide that sends shockwaves through the political community in Brussels and London. Of course, there are darker forces at work and with it a deepening sense of danger as Bannerman launches his own investigation, and forms deep attachments to the nearest and dearest of one of the victims.

I think what struck me most about this book is the sense of resistance to change in political circles, and that the story that May constructed over four decades ago is so easily interchangeable with the current political climate, and the groundless fears that being aligned with Europe had then as well as now. Equally, and sadly, that political corruption is something that never goes away, where the self inflating egos of men (predominantly) become even more avaricious with the heightened status and power they attain, and their increasing distance from those they are meant to represent the best interests of. In addition to this May also shines a rather unflattering light on those members of the fourth estate in this wilfully backstabbing and competitive atmosphere, where the copy is all, and professional allegiances are manipulated to get the column inches. It’s an altogether scurrilous world, and May imbues it with colour, tension and a dry wit that resounds with the reader. It’s a real world of dog eat dog, and a lot of them with their eyes on the juiciest bone…

Neil Bannerman is a wonderfully rounded character, beset as he is with the cynicism inherent in his profession as a journalist, but also the way that he reveals another side to his character in his interactions with the daughter, Tania, of his murdered friend. May builds up a superbly empathetic connection between the two of them, particularly in his sensitive portrayal of Tania cast adrift in a world that her autism complicates further, and this is a real standout feature of the book. Refreshingly, May casts an almost empathetic light on the perpetrator of the crimes, and reserves a good degree of bile for some of the less than savoury characters that inhabit the world of journalism and politics so there’s a great mix of heroes and villains.

I am seldom disappointed with Peter May and The Man With No Face proves once again May’s versatility as a writer whichever world his characters are inhabiting. A strangely prescient read with a good dollop of dramatic tension, and yet underpinned by some real heart-warming interludes. Recommended.

 

(With thanks to Quercus for the ARC)