Tom Callaghan- An Autumn Hunting

No sooner has Akyl Borubaev been reinstated as an Inspector in the Bishkek Murder Squad than he’s suspended for alleged serious crimes against the state.After an attempted assassination of a prominent minister goes spectacularly wrong, Akyl is a fugitive from his former colleagues and involved with one of Kyrgyzstan’s most dangerous criminals.

On the run, caught up in a illegal scheme that can only end badly, it’s time for Akyl to take a stand for everything he believes in…

So in a blink of an eye we have reached the final instalment of Tom Callaghan’s exceptional Kyrgyzstan quartet featuring Inspector Akyl Borubaev, that all began with the brilliant A Killing Winter , and took us through A Spring Betrayal, and A Summer Revenge

I don’t usually pay much attention to the use of epigraphs before the book proper, but in this case the quote from Chingiz Aitmatov, “The hardest thing for anyone is to be a human being every day” is entirely appropriate for the emotional wringer that Borubaev goes through during the course of this one. Obviously, being the last book of the cycle, the story is incredibly influenced by events of previous books, but rest assured you are kept firmly in the loop, as to who, what, where and how Borubaev has reached this precarious state, both professionally and emotionally. You never shake the sense that Borubaev is a pawn in a much larger game, not always voluntarily, and in a similar style to the sub genre of East German crime thrillers, there’s always the sinister shadow of other security services seeking to control and manipulate him. Borubaev is a superbly constructed character being the archetypal lone wolf, but being neither utterly corrupt nor totally moral. This book, perhaps even more so that the others, sees him playing a dangerous game, inveigling himself with a ruthless criminal with an illegal mission in Bangkok, and appearing to burn all his bridges in his homeland too. As usual, he navigates some very choppy waters indeed, with the requisite amount of physical fear and violence that Callaghan so precisely and excitingly punctuates his books with, and as the book spirals to one of the best closing chapters I have read for some time, this is real edge of the seat stuff throughout. The book is also littered with little flashes of dark, mordant humour and precisely placed barbs aimed at the State, complete with a knowing raise of the eyebrow.

As he uses his natural guile to stay one step ahead, Borubaev’s character is such that we are also allowed to witness moments of extreme emotion and natural sympathy, particularly in his intermittent dalliance with the femme fatale figure of tough hitwoman Saltanat, when a new development in their relationship is revealed- a development that brings his previous marriage back into sharp focus and analysis. Throughout the series his affair with the totally self contained, clinical Saltanat has been an interesting diversion in the unrelenting grimness, uncompromising violence and double crossing that gives the real punch to the writing, and I was curious to see what would happen with them, being such unlikely bedfellows. Callaghan does not disappoint, and instead of the usual schmaltz-laden interludes that ‘tough guys’ have, there is a real depth of emotion and extreme pathos to the hurdles in their relationship.

Once again, Callaghan uses the grey, bleak feel of Kyrgyzstan, both in terrain and in the socio-political sense, to full effect, focussing on the poverty, social deprivation and corruption rife in society. When the action shifts to Bangkok, these themes are revisited as Borubaev witnesses the highs and lows of life in this pulsing city, rich on the surface, but with an underbelly of poverty and extreme exploitation. There is a real depth and richness to Callaghan’s depiction of both locations, and how the problems of an individual state, are all too often repeated and visible in others, most notably the twin evils of drugs and sexual exploitation, and those who profit from them.

I thought this book was a sublime addition to the previous three, and a fitting conclusion to the series, leaving a little catch in the throat, but as a reader a genuine feel of having read a truly satisfying sequence of books. The locations, characterisation, social and political detail, and genuine page-turning excitement are a credit to Tom Callaghan’s writing, and I have enjoyed (and recommended widely) every book. An Autumn Haunting is no exception.  Highly recommended.

(With thanks to Quercus for the ARC)

 

Check out these other excellent sites for An Autumn Hunting Blog Blast

 

Blog Tour- G. D. Abson- Motherland

Student Zena Dahl, the daughter of a Swedish millionaire, has gone missing in St Petersburg (or Piter as the city is colloquially known) after a night out with a friend. Captain Natalya Ivanova is assigned the case, making a change for Natalya from her usual fare of domestic violence work, but, because of the family’s wealth, there’s pressure for a quick result. But as she investigates she discovers that the case is not as straightforward as it may seem…

Pining for the heady excitement of Tom Rob Smith’s Child 44 trilogy? Wishing that Martin Cruz Smith would recapture the magic of Gorky Park over and over again? Well fret no more gentle reader, as we may be onto a bit of a winner with Motherland, the first instalment of a new series featuring Captain Natalya Ivanova of the St Petersburg Criminal Investigations Directorate…

From the air of breathless danger that Abson introduces in the prologue, through to an extremely tense conclusion, real heart in the mouth stuff, I found this thriller utterly compelling throughout. I thought that Abson’s control of pace and tension was superb, and the balance between the domestic affairs and professional life of Ivanova, was spot on, with neither overpowering the other. They worked together to give the reader an extremely rounded depiction of all aspects of Ivanova’s life,  be it the professional tension of being married to a fellow crime investigator, the nefarious interference in their investigation by other Russian security services, and the sheer intensity and intrigue of the case itself involving a major figure in Swedish industry, and the suspected kidnap and murder of his adopted daughter. I also enjoyed the intermittent references to Putin, his rise to power, his strengthening grip on all aspects of Russian life, and how his shadow looms over the structures of law enforcement and criminal investigation, which reminded me strongly of David Young’s excellent depiction of Stasi interference in East Germany in his series featuring Major Karin Muller. All of these strands weaved in and out sustaining the reader’s interest and engagement, and I found it very difficult to second guess where the story was going, and who was the most duplicitous of the characters involved. There were some nifty little tricks and turns in the plot, and most satisfyingly I didn’t identify the utter rotter at the close of the book, but thought this revelation was unexpected, but totally believable in the context of the plot itself.

Another aspect of the book that I particularly enjoyed were the little instances of gentle, and not so gentle, joshing that occur between Ivanova  and her colleagues, and the wonderfully eccentric babushka who inhabits the apartment next to that of the murdered girl, who finds herself inextricably linked to the case as the finale approaches. I enjoyed the building of tension and suspicion in Ivanova’s marriage, from her belief that her husband Misha has acquired dirty money, her growing reliance on alcohol and cigarettes, and her wonderfully lax approach to housework and cooking. She has a natural feistiness to her character that is endearing, and by the same token Abson does not make her some kind of indestructible kick-ass heroine, with the violence she experiences producing realistic results. I appreciated the balance that Abson brought to her character, and that her character is nicely defined by not being completely Russian, and that her upbringing in Germany, where her sister resides, could be expanded on in future books.

Overall, I thought Motherland was a strong, positive start to a series, introducing a notable female protagonist, and a nice little cohort of personal and professional relationships, that will give stability, and opportunities for character development in further books. Abson can dip his toes in an oligarch’s fountain, and avoid a trip to the gulag as Motherland was an extremely enjoyable thriller. Highly recommended.

(With thanks to Mirror Books for the ARC)

Catch up with the blog tour at these excellent sites:

abson-blog-tour-e1527864459576.png

 

Abir Mukherjee- A Rising Man

 

And lo, with wings raised aloft, the Raven cheered that at last there is a thriller of the month that can actually be talked and enthused about with a genuine passion, for an entire month! A Rising Man more than deserved a place in my Top 5 reads of last year, and I would implore you to pop into your local Waterstones (other book retailers are available) and seek this one out!  Here’s my review…

“1919. Calcutta. Captain Sam Wyndham, former Scotland Yard detective, is a new arrival to Calcutta. Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. But with barely a moment to acclimatize to his new life or to deal with the ghosts which still haunt him, Wyndham is caught up in a murder investigation that will take him into the dark underbelly of the British Raj. A senior official has been murdered, and a note left in his mouth warns the British to quit India: or else. With rising political dissent and the stability of the Raj under threat, Wyndham and his two new colleagues – arrogant Inspector Digby and British-educated, but Indian-born Sergeant Banerjee, one of the few Indians to be recruited into the new CID – embark on an investigation that will take them from the luxurious parlours of wealthy British traders to the seedy opium dens of the city.”

From the very beginning with its wonderfully Chandler-esque opening line, “At least he was well dressed. Black tie, tux, the works. If you’re going to get yourself killed, you may as well look your best,” I was totally in the thrall of this book from start to finish. Not only is the writing whip smart and intuitive with a clever and engaging plot, but the depth of the historical research to so vividly portray the teeming life of this beautiful, yet socially and racially torn, outpost of the former British Empire sings from every page. I always think that historically drawn fiction treads a difficult line between force feeding the reader too much factual detail, or being too sketchy on how well it integrates the historical aspect which then doesn’t draw the reader into the reality of the period. Not only does Mukherjee present Calcutta and its social and political tensions with such clarity of detail, and the heinous crimes perpetrated by the British at Amritsar, but he also weaves into the story the echoing resonance of the trauma of WWI in the characterisation of his main protagonist Captain Sam Wyndham.

I liked the way that these momentous moments in history were brought centre stage at times, but then also cleverly just playing out in the background against the murder investigation adding a sense of the ebb and flow to the story and keeping the reader’s interest throughout. I also enjoyed the way that the interactions between the main characters and their responses to one another added another dimension to the difference in their societal position or racial status again reflecting the tensions of the time. This is very much in evidence by not only Wyndham’s experience as an ‘incomer’ to India, and the barriers to his investigation that he experiences, but also in his own interactions with his fellow Englishman, the prickly Inspector Digby, and the delightful Sergeant Banerjee. The interplay between these three incredibly disparate men was a source of pleasure throughout the book, and the development of their differing relationships, both personally and professionally, gave a further emotional pull on the reader’s empathy to these characters. Wyndham is a particularly complex man with previous trauma, and the loss of the love of his life, placing its own unique strain on his psyche. However, despite his insomnia and wavering dependence on chemical pick-me-ups, what Mukherjee so assuredly shows is Wyndham’s singular integrity as a man, his open mindedness, and his ability to place himself apart from his compatriots in order to fully investigate this case, finding his way in an alien and corrupt society.

So, A Rising Man, bulging with beautifully controlled historical detail, the atmospheric backdrop of Calcutta, a twisting and dangerous murder investigation, and a wonderfully drawn cast of characters, did not disappoint in the slightest. A deserved place in my top 5 of the year, and a completely absorbing, and thoroughly enjoyable debut. Highly recommended.

#BlogTour- The Finnish Invasion- Kati Hiekkapelto- The Exiled, Antti Tuomainen- The Mine

41mxo4kt01l-_sx322_bo1204203200_Anna Fekete returns to the Balkan village of her birth for a relaxing summer holiday. But when her purse is stolen and the thief is found dead on the banks of the river, Anna is pulled into a murder case. Her investigation leads straight to her own family, to closely guarded secrets concealing a horrendous travesty of justice that threatens them all. As layer after layer of corruption, deceit and guilt are revealed, Anna is caught up in the refugee crisis spreading like wildfire across Europe. How long will it take before everything explodes?

Having waxed lyrical about the previous book The Defenceless from edgy Finnish writer, Kati Hiekkapelto, it was great to dive into this one, again featuring Hungarian detective Anna Fekete. I am rather partial to books where the main protagonist is removed from their normal stomping ground, and how the vacations they take are never the most relaxing of affairs. The Exiled fits the bill perfectly…

Anna Fekete is a prickly and forthright woman, with a somewhat abrasive manner that exasperates and delights in equal measure. I particularly enjoyed the verbal sparring between herself and her mother, on her trip back to her parental home, and Anna’s general doggedness and interference in the gradually revealed corruption within the local police force. She proves herself a keen and formidable irritant to most people, and Heikkapelto pulls no punches in painting a vivid picture of Anna’s somewhat derisory attitude to both childhood acquaintances and local figures in the community. Finding herself inveigled in the suspicious death of a petty thief soon after her arrival, Anna uses her detective nous, and the resources open to her, calling on assistance back home in Finland, to expose a dark and bleak tale centring on the refugee community.

Through her eyes, the neglect and danger that those traversing Europe in search of a safer home experience is brought to the centre of our attention, and her generally sympathetic view to those she encounters, coloured by her own identity as a migrant, works as a powerful conduit for Hiekkapelto to provide a broad and realistic depiction of the refugee crisis. There are also additional points of interest, as the chequered history of the Balkan region is woven into the plot, and a focus on the issues of identity and belonging that have arisen from the break up of Yugoslavia are explored both through Anna’s familial history, and those she interacts with. It’s always incredibly satisfying to read a book that provides deeper levels of interest alongside the main plot, and gives a richness and texture to the prose to sate the reader. With this added scope to the book, the main plot still stands strongly within it, and the investigation that Anna undertakes to satisfy the numerous questions that arise for her is well-realised and played out, and their is an underlying current of tension throughout. As Anna finds herself increasingly at risk, but being as determined as a dog with a bone, I was totally caught up in this story from the start, and pulled in once again by the magnetism of Anna’s character, and her unerring ability to use the less attractive traits of her personality to get to the root of this mystery. Beautifully translated by David Hackston,  The Exiled is another winner from Kati Hiekkappelto and I, for one, cannot wait to see what Anna gets tangled up in next. Highly recommended.

—————————————————————————-

mineIn the dead of winter, investigative reporter Janne Vuori sets out to uncover the truth about a mining company, whose illegal activities have created an environmental disaster in a small town in Northern Finland. When the company’s executives begin to die in a string of mysterious accidents, and Janne’s personal life starts to unravel, past meets present in a catastrophic series of events that could cost him his life…

I’m going to set my stall out here and say that I would probably enjoy anything that Antti Tuomainen writes, having loved both The Healer, and  Dark As My Heart so did The Mine take me down to the depths of despair, or eject me skipping into the sunlight?…

One of the manifold reasons that I love Scandinavian crime thrillers so much is the unerring ability of the authors within this genre to so finely balance the exploration of the human psyche, and important social and political issues, in total harmony with the essential need of bringing to their readers a believable and compelling criminal mystery. The Mine is a perfect example of this, exposing the less than legal activities of a mining company in the snowy wastes of rural Finland, as a jumping off point for a menacing tale of murder and retribution. The author’s research into the history and workings of this particular industry across Finland, is clearly in evidence, and Tuomainen does not hesitate in exposing the particular follies and dangers linked to it. In common with Gunnar Staalesen’s We Shall Inherit The Wind and the Danish drama Follow The Money which also addressed issues in relation to environmental issues this adds a layer of interest to the reader, outside of a linear crime narrative. I thought the plot was excellent, and was genuinely interested and engaged with Janne’s refusal to give up in his mission to expose the truth behind the mining corporation and its dastardly deeds, and delighted by the additional weight that Tuomainen’s exploration of human connection brings to the whole affair.

Dark As My Heart was one of my favourite books of last year, due to the mesmeric, lyrical quality that Tuomainen injects into his prose. Despite the weightier environmental issues of this book, that provide the driving force for the story, there are interludes of writing, that resonate strongly with the author’s gift for the rhythm and cadence of emotional expression. I finished reading the book with at least ten highlighted passages of sublime, naturalistic description whether referring to the physical landscape, or the emotional landscape of the characters. I found Tuomainen’s portrayal of the fragile reconciliation between Janne and his father, Emil,  particularly affecting, and the bridging of the gap between their differing sense of morality powerfully wrought, when the true nature and motivations of Janne’s father come to light. Although not entirely convinced by Emil’s day job, it proved an interesting juxtaposition for us to see how Janne and his mother dealt with his absence, and the tentative steps made by Emil to reconnect. Strongly in evidence in his previous books is Tuomainen’s knack for rootling around in the depths of people’s emotional selves, and depicting them so transparently that you cannot be helped as a reader to being utterly drawn into his characters. I felt like I came to know all these people intimately as the story progressed, with increasing amounts of either complete empathy or moral outrage at the situations they find themselves in. This is fiction writing at its best, highlighting the power to move, unsettle and educate the reader, and hold them completely into its thrall. Highly recommended.

orenda-logo-5

 

Catch up with, or continue to follow the blog tour at these excellent sites:

cwllxvxxcaqrmjb

Blog Tour- Rod Reynolds- Black Night Falling

Black Night FallingHaving left Texarkana for the safety of the West Coast, reporter Charlie Yates finds himself drawn back to the South, to Hot Springs, Arkansas, as an old acquaintance asks for his help. This time it’s less of a story Charlie’s chasing, more of a desperate attempt to do the right thing before it’s too late…

The Dark Inside from debut author Rod Reynolds, was based loosely on the events surrounding The Texarkana Moonlight Murders of 1946, where young couples were singled out at a local courting spot and brutally attacked. The Texarkana Phantom, as the killer was dubbed, killed five people and assaulted three more, but evaded apprehension, with the killings stopping as quickly as they had begun. With this as the central premise for the story,  Reynolds took us on an atmospheric, clever, and entirely plausible trip into a small community racked by fear and suspicion. Black Night Falling picks up the story just a few months on from the harrowing events of the first book featuring stoic reporter Charlie Yates, and there is more darkness in store…

Once again, Reynolds completely immerses us in the world of 1940’s America, incorporating insights into the American psyche, and referencing returning servicemen from World War II. Reynolds’ attention to the detail of the period is again completely on song, and the intense heat of his chosen location of Texas shimmers and scorches alongside the emotional intensity of Yates’ troublesome investigation. Particularly effective is Reynolds’ depiction of this small community of Hot Springs, with its local commerce being driven by corrupt local figures, and the mostly illegal activities of gambling and prostitution, allowing him to insinuate real life gangster figures into the plot, that are immediately recognisable to the reader. Also by placing Yates in this inward looking and suspicious community, it allows us to acknowledge for ourselves, the frustration and danger that he encounters in his search for the truth behind his friend’s untimely end.

Charlie Yates, our dogged reporter is once again bestowed with a real core of morality, and again Reynolds makes full use of his  character pivoting between outspoken arrogance to moments of extreme self doubt and emotional vulnerability. As in The Dark Inside, Yates must use all his guile and powers of investigation to navigate his way between local law enforcement, the press, and the mayoral head honcho, assimilating, disregarding, or challenging their versions of events at no mean danger to himself. As much as Yates is fed false leads or incomplete information, we as readers are also constantly questioning the veracity of the information he receives, and playing the who’s the good guy, who’s the bad guy, game as the plot progresses. With Yates being so firmly front and centre of the plot, Reynolds’ cast of supporting characters are something of a conduit or mirror for his actions, but there is a good array of ne’er-do-wells, tarts with hearts, unlikely good guys, and a thoroughly pernicious killer at the heart of the story to keep you hooked. Admittedly, I am still a little unconvinced by the depiction of Yates’ personal life, and the slightly clichéd drawing on this in the plot to manipulate Yates’ actions, however, when book focuses purposefully on Yates’ dogged determination to track a killer and expose corruption, Reynolds keeps a realistic and tight rein of the unfolding plot. With The Dark Inside and Black Night Falling being so closely interlinked, Reynolds does endeavour to reference the first book in the second as Yates’ investigation has the overarching echo and ramifications of previous events, but I would urge you to read both books in quick succession, to fully appreciate the symbiosis of the two books, as sometimes the links between the two lose a little of their power in the reliance on sporadic back story.

When I reviewed The Dark Inside I said I was delighted to hear that there was a sequel in the offing, and more than happy to say that Reynolds has come up trumps again. Read both- you won’t be disappointed.

(With thanks to Faber for the ARC)

 

Catch up with, or continue to follow the blog tour at these excellent sites:

Black Night Falling_blog tour graphic

 

Annemarie Neary- Siren

b2c884_18036d56c0324f78b3cd43bcd5d3f4b8Róisín Burns has spent the past twenty years becoming someone else; her life in New York is built on lies. A figure from her Belfast childhood flashes up on the news: Brian Lonergan has also reinvented himself. He is now a rising politician in a sharp suit. But scandal is brewing in Ireland and Róisín knows the truth. Armed with the evidence that could ruin Lonergan, she travels back across the Atlantic to the remote Lamb Island to hunt him down. But Lonergan is one step ahead; when Róisín arrives on the island, someone else is waiting for her…

With jacket quotes from the brilliant  Stuart Neville and  Liz Nugent and the promise of being a stand out addition to the Irish crime genre, the lure of Siren was irresistible to this reviewer…

I was astounded by the incredible balance of narrative, location and characterisation throughout this impressive debut novel from Neary, with all aspects of the book working in complete harmony with one another. No mean feat for a new writer, and showing a degree of skill that some writers take more than a few books to achieve. Set against the reverberating echo of The Troubles, one of the most contentious and defining conflicts of the twentieth century, Neary has constructed a tale that effortlessly intertwines a present and past timeline that slowly uncoils revealing small nuggets of bitter truths, as the reader progresses through Róisín’s compelling and thought provoking story.

As Róisín embarks on her personal mission of retribution, the violent and emotive details of her involvement in a honey trap in her teenage years, resulting in the murder of two soldiers slowly unfolds. Neary demonstrates through her portrayal of Róisín’s adolescent years the prescient dangers and threats of danger that overshadowed the lives of many in Belfast in this tumultuous period, and the skeletons in the closet of Róisín’s family itself. Likewise, the simmering rage and desire for revenge that Róisín harbours for Lonergan himself is never far from the surface, and which reveals itself in a series of flashbacks to his manipulation of her in previous events. Róisín is a wonderfully well-drawn character, and contains a mass of contradictions, as she gravitates between clear-sighted belief in her actions, underscored by moments of incredible sensitivity and self doubt. If ever a character was written to elicit empathy in the reader, Neary has this pretty much spot on, as Róisín is never less than a totally believable and sympathetic character. To further draw on the characterisation of this book, I loved the way that was a certain shadowy pall around the male protagonists, as Neary never really gives the reader a complete picture of their motivations, choosing to keep them to a larger degree, slightly shrouded from our unflinching gaze. If this was a deliberate move on the author’s part it was a wise one as this incompleteness to their definition added a further level of menace to them and their interactions with Róisín herself. Also choosing to set the contemporary story on the grim outcrop of Lamb Island, instead of keeping the action centred in Belfast itself, worked very well. The air of impending violence and fear that Róisín experiences is heightened substantially by the bleakness of the surrounding island landscape, and the isolation of her temporary abode on the island from where she embarks on her vengeful mission.

I was incredibly impressed with this debut, with its pitch perfect mix of extreme human emotions, combined with the resonance of history. Neary has achieved something really quite special. Highly recommended.

(With thanks to PenguinRandomHouse for the ARC)