#BlogTour- Gunnar Staalesen-Wolves In The Dark

Reeling from the death of his great love, Karin, Varg Veum’s life has descended into a self-destructive spiral of alcohol, lust, grief and blackouts. When traces of child pornography are found on his computer, he’s accused of being part of a paedophile ring and thrown into a prison cell. There, he struggles to sift through his past to work out who is responsible for planting the material,  and who is seeking the ultimate revenge. When a chance to escape presents itself, Varg finds himself on the run in his hometown of Bergen. With the clock ticking and the police on his tail, Varg takes on his hardest – and most personal – case yet…

And so, it is time once again for Gunnar Staalesen to put his redoubtable private detective, Varg Veum,  through an emotional wringer, and visit all kinds of hell upon him in his most personally harrowing investigation yet. Merely further confirming his pedigree as one of the finest Scandinavian crime fiction writers of the modern age, Wolves In The Dark, is among Staalesen’s darkest, and most finely crafted, novels to date…

What is to be most admired about this latest addition to the series, is the complexity of the plotting, which absolutely captures and illustrates the maelstrom of confusion and grief that has defined Veum’s life over a significant period of time. The narrative continually reaches back into Veum’s descent into alcoholism and blackouts following the death of his beloved Karin, and as Veum seeks to piece together events and actions from this dark time in his personal life, Staalesen  plays with the themes of memory, and morality in equal measure. Attention must be paid as the storyline ebbs and flows between the past and present, and small moments of clarity begin to punctuate Veum’s memory of recent events. I would certainly recommended reading in larger sections, as the previous investigations that may go some way to explain Veum’s current dilemma are so important in the overall story arc, and it’s easy to lose track of the pertinent details in shorter sittings.

I thought the depiction of this swirling miasma of confusion and truth seeking that Veum has to endure was superbly done, and cleverly invites the reader in as a second pair of eyes, as Veum seeks to reconcile his memory of events with the very dark accusations against him. I also appreciated the way that Staalesen treats the subject of grief, harnessing and examining Veum’s despair through his actions,  and by extension drawing on the reader’s empathy throughout. The astute combination of plotting and characterisation is exceptionally well-crafted, and as Veum is pushed to the limits of his self-awareness and morality, Staalesen weaves a tale that is by turn disturbing, and emotive. Not only is Veum accused of such a distasteful crime, but Staalesen artfully balances Veum’s own moral self examination, with those of his investigators, and those that seek to help, and defend him. In the face of adversity Veum takes extreme action to defend his reputation, but the immoral taint of accusation is a difficult one to be cleansed of. By using the theme of cybercrime, and particularly Veum’s general naivety of the pernicious reach of this offence, Staalesen exposes a dangerous world lacking human morality, and decency, and Veum is continually portrayed as a man adrift, thwarting his quest for truth further…

Wolves In The Dark has to rank as one of my favourite books in the series to date, immersing Varg Veum in a real personal trauma , which dents his natural humour and bonhomie, and causes him to question and reassess an incredibly dark period of his history, barely functioning under the weight of grief. The book is infinitely more downbeat than Staalesen’s usual fare, but interestingly plays with the themes of grief, recollection, guilt and morality through Veum himself, and those central to the previous cases that become integral in the search to clear his name. Thoughtful, introspective, and, as usual, completely absorbing. Highly recommended.

(With thanks to Orenda Books for the ARC)

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Blog Tour- Nuala Ellwood- My Sister’s Bones


msbblogtour_nov18Kate Rafter is a successful war reporter. She’s the strong one. The one who escaped Herne Bay and the memories it holds. Her sister Sally didn’t. Instead, she drinks.

But when their mother dies, Kate is forced to return to the old family home. And on her first night she is woken by a terrifying scream.

What secret has Kate stumbled upon?
And is she strong enough to uncover the truth . . . and make it out alive?

As much as I seek to actively avoid thrillers with the merest whiff of domestic noir about them, I was intrigued to read My Sister’s Bones, a debut psychological thriller by Nuala Ellwood with its blend of emotional domesticity combined with more global concerns. Effectively marrying the usual tropes of domestic noir and familial conflict, with more salient humanitarian issues,  Ellwood has produced a thriller that is a curious blend of the intensely satisfying and the slightly frustrating…

The absolute lynchpin for my enjoyment of this book was Kate’s story, a seasoned war reporter who on her return from war-torn Aleppo in Syria, is battling the twin demons of PTSD and personal emotional stress caused by the death of her mother, and the non-connectedness to her sister Sally who is in the grip of alcoholism, and suffering personal distress at the disappearance of her daughter, Hannah. Reflecting my enjoyment of other thrillers such as Matthew Frank’s If I Should Die, and Kate Medina’s Fire Damage, which also explored the realm of PTSD, I found Ellwood’s portrayal of Kate, so emotionally affected by her horrific experiences in Syria, utterly authentic, bolstered no doubt by the author’s own familial links to the world of war reporting. Her confusion, anger and twisted sense of self worth and guilt was heart-breaking and emotional throughout, really tapping into the reader’s empathy, and depicting perfectly one woman’s personal experience of war. I also admired the clear-headed, objective portrayal of the Syrian conflict exhibited by the author, and its balanced and unflinching tone when describing the danger and human devastation that Kate experiences holed up in this war torn city. I liked the way that we as readers are drawn in and out of states of mistrust towards Kate, due to the symptoms of her stress, constantly questioning her veracity as a reliable narrator, and a credible witness to what she believes is happening in the house next door. Her story and actions totally carries the thrust of the book, and without giving anything away I was a little worried that her story had been too swiftly curtailed to carry my interest to the end.

More frustrating for me, was the close to home aspect of the story, where Kate finds herself immersed in the suspicious goings-on of her next door neighbour, and the grand reveal of how this relates to the travails of her alienated sister, Sally. Again, I think Ellwood, is spot on with the characterisation of Sally, fighting a battle with alcoholism, and the conflicting states of mind and self-awareness that this terrible addiction causes to those in its grip. Her experience was never less than utterly believable and affecting. However, I did find the central plot of the book a little weak, and far-fetched to totally draw me in, and the denouement was just a tad too fanciful to entirely convince this reader. Such is the strength of Ellwood’s writing in terms of human experience, that I wondered with the blips in the central plotting, if crime fiction was the right avenue to go down. With her undeniable knack for portraying the weaknesses and strengths of her female characters, I would happily have read this a contemporary fiction novel examining the condition of war and its impact on human relationships, drawing on the issues of PTSD, familial isolation and alcohol addiction.

So, all in all, a bit of a mixed bag for this reader, who didn’t really appreciate the ‘crime’ aspect of the book so much,  but with exhibiting such strong characterisation in the protagonists of Kate and Sally themselves, had enough to keep me reading on. Recommended.

(With thanks to Penguin for the ARC)


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Blog Tour- Paula Hawkins- The Girl On The Train-Extract


GOTT blog tourCiting Zoe Heller’s Notes On A Scandal and Kate Atkinson’s Jackson Brodie series as influences on her own writing, Paula Hawkin’s debut psychological thriller, justifies a place besides both. It is an intelligent and unnerving story that cleverly manipulates our feeling towards the central narrator, Rachel who, struggling with her own mental and emotional turmoil, finds herself embroiled in a murder. As the story progresses and other connections with Rachel are made in the course of the investigation, Hawkins delights in wrong-footing the reader, with a slow and effective build-up of tension. As Hawkins says, the book is “about what happens when you peel back the veneer of everyday life and discover something dark and sinister underneath,” and The Girl On The Train delivers this on every level. An excellent addition to the British psychological crime stable, and the current trend for domestic noir. A welcome distraction from that dreary commute and here’s an extract to tempt you further…


Friday, 5 July 2013


THERE IS A PILE OF clothing on the side of the train tracks. Light-blue

cloth – a shirt, perhaps – jumbled up with something dirty white.

It’s probably rubbish, part of a load fly-tipped into the scrubby

little wood up the bank. It could have been left behind by the

engineers who work this part of the track, they’re here often

enough. Or it could be something else. My mother used to tell me

that I had an overactive imagination; Tom said that too. I can’t

help it, I catch sight of these discarded scraps, a dirty T-shirt or a

lonesome shoe, and all I can think of is the other shoe, and the

feet that fitted into them.

The train jolts and scrapes and screeches back into motion, the

little pile of clothes disappears from view and we trundle on towards

London, moving at a brisk jogger’s pace. Someone in the seat behind

me gives a sigh of helpless irritation; the 8.04 slow train from

Ashbury to Euston can test the patience of the most seasoned

commuter. The journey is supposed to take fifty-four minutes, but it

rarely does: this section of the track is ancient, decrepit, beset with

signalling problems and never-ending engineering works.

The train crawls along; it judders past warehouses and water

towers, bridges and sheds, past modest Victorian houses, their

backs turned squarely to the track.



My head leaning against the carriage window, I watch these

houses roll past me like a tracking shot in a film. I see them as

others do not; even their owners probably don’t see them from

this perspective. Twice a day, I am offered a view into other lives,

just for a moment. There’s something comforting about the sight

of strangers safe at home.

Someone’s phone is ringing, an incongruously joyful and

upbeat song. They’re slow to answer, it jingles on and on around

me. I can feel my fellow commuters shift in their seats, rustle their

newspapers, tap at their computers. The train lurches and sways

around the bend, slowing as it approaches a red signal. I try not to

look up, I try to read the free newspaper I was handed on my way

into the station, but the words blur in front of my eyes, nothing

holds my interest. In my head I can still see that little pile of

clothes lying at the edge of the track, abandoned.


The pre-mixed gin and tonic fizzes up over the lip of the can as I

bring it to my mouth and sip. Tangy and cold, the taste of my first

ever holiday with Tom, a fishing village on the Basque coast in

2005. In the mornings we’d swim the half-mile to the little island

in the bay, make love on secret hidden beaches; in the afternoons

we’d sit at a bar drinking strong, bitter gin and tonics, watching

swarms of beach footballers playing chaotic 25-a-side games on

the low-tide sands.

I take another sip, and another; the can’s already half empty but

it’s OK, I have three more in the plastic bag at my feet. It’s Friday,

so I don’t have to feel guilty about drinking on the train. TGIF. The

fun starts here.

It’s going to be a lovely weekend, that’s what they’re telling us.

Beautiful sunshine, cloudless skies. In the old days we might have

driven to Corly Wood with a picnic and the papers, spent all

afternoon lying on a blanket in dappled sunlight, drinking wine…