My husband is trying to kill me : a new client gets straight to the point. This is a whole new ball game for Maggie Laird, who is trying to rebuild her late husband’s detective agency and clear his name. Her partner, Big Wilma, sees the case as a non-starter, but Maggie is drawn in. With her client’s life on the line, Maggie must get to the ugly truth that lies behind Aberdeen’s closed doors. But who knows what really goes on between husbands and wives? And will the agency’s reputation and Maggie and Wilma’s friendship remain intact?
Having been so heartily impressed by Claire MacLeary’s debut Cross Purpose, which introduced us to the fledgling private detectives, Maggie Laird and ‘Big’ Wilma Harcus, here we go with the second outing for this thoroughly likeable duo…
At a time where the subjugation of women in society be it professionally, emotionally, or sexually has been so in the spotlight through the #MeToo campaign, MacLeary adds a wise and all too pertinent voice to the arena. Along with the sheer affability and humour of her two female protagonists, the book carries with it a larger message on the hostile and demeaning behaviour that all too many women encounter within their domestic lives. I must admit that I did find some of the episodes within the book quite difficult to read at times, having experienced a familiar situation in my own life, which did stir up some uncomfortable memories. Having said that though, I applaud MacLeary for taking these issues, and treating them in such an even handed and sensitive manner, which will not only resonate with women like myself, but also alert others to recognise those gradually increasing indicators in a relationship of an escalating feeling of unnatural control. MacLeary very much focuses the book on a series of relationships, in their myriad forms, between husbands and wives, and Maggie’s self will to emerge from the disgrace of her dead husband and clear his name, and most crucially to the story, a recognition of the power of women to take back control for themselves. We see this in the relationships of Ros, a work colleague of Maggie’s whose marriage is taking a darker turn, the investigation into Sheena Struthers who believes her husband is plotting to kill her, and in the tension that grows in Wilma’s relationship with her partner Ian. I enjoyed the equivalence between these situations, and the way that MacLeary also wove into the plot the professional pressures that Maggie, and Detective Susan Strachan face, infiltrating the masculine bastion of the police force. The plot is incredibly character driven, and I think most female readers will recognise something of themselves in one of this contrasting band of women. As I commented on with Cross Purpose, MacLeary has a knack of balancing the insecurity and self questioning of her characters with moments of real strength or sheer bloody mindedness. Not all of her women are compliant victims, and those that would appear so, are given the space to break free. I admire this aspect of her writing very much.
Before you begin to think that this all sounds a bit serious, MacLeary breaks up the emotional tension at a beautiful pace, largely due to the character of Big Wilma. She’s blousy, brash, fearless and the comic interludes including her night out a strip show, and an unfortunate pratfall in the countryside, have a wonderful comic timing. I genuinely feared for the possible dissolution of her partnership with the ‘stuck up’ Maggie, but as much as they are chalk and cheese, the banter and interplay between them is absolutely integral to the enjoyment of the book. They are a formidable partnership, and there’s plenty of mileage in them yet I warrant, and I, for one, will await the next book with interest. Highly recommended.
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