Dan Hendricks is a man in need of a lifeline. A former CIA operative, he is now an agent for hire by foreign powers on the hunt for dangerous fugitives. It’s a lethal world at the best of times, and Dan knows his number is almost up. His next job could be his last—and his next job is his biggest yet.
The target sounds trackable enough: Jacques Fillon, who gave up his life trying to save a fellow passenger following a bus crash in northern Sweden. But the man was something of an enigma in this rural community, and his death exposes his greatest secret: Jacques Fillon never existed at all.
Dan is tasked with uncovering Fillon’s true identity—but can he do so before his own past catches up with him?
I have the ‘dubious’ pleasure of knowing Mr Wignall, so as he thrust a copy of this into my hand with an entirely understated personal dedication…
how could I refuse to read and review it? And I did indeed ‘quite like it’.
That’s not enough really is it?
You want to know more?
With its intriguing opening centring on a bus crash in Sweden, Wignall then envelops us in a tale of a deniable CIA operative on the run, with a truly international feel as the story effortlessly pivots across different locations, and many moments of betrayal and mortal peril. There is a tightness and simplicity to the writing that will utterly suck you in, the evidence of this being that I pretty much read this in one sitting, completely hooked on the pace and plot twists that come at you with an alarming rate. Wignall always demonstrates a heightened sense of the visual in his books, and there is a real screenwriter’s feel to the book throughout, which proves priceless to engaging the reader’s attention. I also liked the host of contradictions that lay within the character of Dan Hendricks himself, a man shaped by the less savoury activities of his professional life as a CIA operative with particularly dark abilities, but who when seeing former associates systematically eliminated to protect some dangerous secrets, exhibits a degree of nobility seemingly at odds with his dispassionate attitude to life and death. This raises some interesting questions on the issue of morality, and thus enables Wignall to raise the book above the normal narrative of a conspiracy thriller. The dialogue is sharp and punchy throughout (again adding to the overall pace of the book) and there’s a more than satisfying quotient of violence as the plot progresses, and the extent of the conspiracy against Hendricks unveils itself.
I quite liked it. Think you will too.
(With thanks to the author for the review copy)